Rowing Toward Home
The only ticket I could get to watch The Odyssey was for an 8:00 showing on a Sunday morning. I walked into a theater that seats at least a couple of hundred people, and for a time I had the place to myself. Eventually, I counted about 8 of us in that theater. I guess most of the city was either sleeping or getting dressed for church.
As the credits rolled, I had a revelation that made me chuckle. I thought I was skipping church, but what I discovered was something different. I didn’t skip church at all; I was simply sitting in a different sanctuary. You see, the movie's message was similar to the one I had preached for some 30 years as a United Methodist pastor.
Somewhere between the gods and monsters, the storms and shipwrecks, and one weary man rowing across a dark sea, something clicked. The Odyssey isn't really a story about a war. It isn't even a story about a voyage. It's a story about a man who wants to go home. Amazing! A story that has survived for nearly three thousand years is built around one of the simplest longings we know.
Odysseus has already tasted glory, and it cost him almost everything. He doesn't want another victory. He wants his house, his wife, his son and his dog. He wants to lay his head on the pillow in his own bed. More than anything else, he wants to stop being away. He simply wants to go home.
As I sat there, another thought surfaced. Christopher Nolan seems to tell this same story over and over again. In Interstellar, Cooper crosses galaxies trying to find his way back to his children. In Inception, Cobb cannot go home until he faces the guilt he's spent years outrunning. Bruce Wayne eventually discovers that saving Gotham isn't enough if he never learns how to live as Bruce Wayne. Even Oppenheimer becomes the story of a man who creates something so world-changing that he can never truly return to the person he once was.
Different men and different genres of movies, but all with the same ache and yearning.
Which made me wonder if this homesickness isn't really about geography at all. Maybe it's the oldest ache we carry. Maybe underneath our ambition, our fear, our success, our failures, and even our regrets lives one quiet prayer. I want to go home. However we define it. Whatever it costs to get there.
This longing, this ache doesn't just show up in movie theaters. It shows up everywhere people tell stories, including some of the oldest ones we have.
There's a scene early in the Exodus story where a fugitive named Moses, a man who has been running for decades, hides out as a shepherd in the middle of nowhere. One day, he comes across a bush that's burning without burning up. A voice tells him to take off his sandals. Most sermons I've heard focus on the holiness of the ground, and I think that's certainly part of the story. But I also wonder if something else is happening too.
Think about what we do when we finally get home. We take off our shoes. We stop looking over our shoulder. We rest. We breathe.
Maybe, after years of running, Moses wasn't just standing on holy ground. Maybe he was finally home.
That raises a question that's been following me ever since I left the theater.
What is home?
For some of us, home is another person. Maybe it's a relationship that needs tending, or a conversation that has waited too long. Maybe it's reconciliation. Or maybe it's making peace with the fact that reconciliation will never happen this side of heaven.
For others, home is something deeper than any single relationship. It's the quiet conviction that our lives were made for something, or perhaps Someone, greater than ourselves.
As a celebrant, I've sat with hundreds of families after someone they loved has died. It's remarkable what they remember.
They don't tell stories about promotions or investment accounts. They remember kitchen tables. Fishing trips. The old recliner nobody else was allowed to sit in. Saturday mornings making pancakes. The sound of someone's laugh coming from another room.
In other words, they remember home. Not because of the house. Because of the belonging. Maybe that's the ache hiding underneath all our other aches.
We chase it in careers, hoping the next promotion will finally quiet the restlessness. We chase it in relationships, believing the right person can answer every question we carry. We chase it in bigger houses, as though more square footage could somehow create belonging.
And every once in a while, if we're honest, we chase it in stories. We sit in dark rooms and watch a man row across a sea for ten years, or a father claw his way through time toward a little girl's bedroom, or a fugitive stumble onto a bush that won't stop burning — and something in us leans forward, because some part of us recognizes the ache. We've felt it too.
I didn't go looking for any of this. I just wanted to see a movie by my favorite director. But that's usually how it goes, isn't it? The sacred rarely makes an appointment. It doesn't wait for a sanctuary with stained glass and a bulletin. Sometimes it just shows up in a mostly empty theater at 8:00 on a Sunday morning, hiding inside a three-thousand-year-old poem about a man rowing toward home.
An Unlikely Altar, if there ever was one.




